Where does your wandering mind go?

While I was lying in bed a couple nights ago I spent about half-an-hour planning this post in my head. This is why I can never sleep. I'm noticing a pattern in my mind-wanderings, and I wanted to get your input and maybe get some clues as to how peoples minds work the same or differently to one anothers. I've always thought it would be a fascinating experiment to experience someone else's existence for a day, including their thoughts and perceptions. This is as close as I can get.

So, even when I'm not trying to let my mind wander, it inevitably starts projecting future scenarios. I think of something that I need to do or something that is going to happen in the future, and I play it out in my head usually to its awesomest possible outcome. If I need to tell someone something, I play out the conversation in my head. If I am planning on submitting to an agent the next day, I lie in bed and play out what I need to do to personalize my query letter, sending it, the letter that would be awesome to get the next day, the questions I need to remember to ask when I talk to the Agent-Who-Will-Love-Me-Tomorrow, etc. If it's a big deal type of thing, sometimes it will go on repeat and I can't shut it off. Or sometimes it will go to the next thing. Like I'll get done with the agent scenario and then remember that I'm supposed to have a guest post for another blog in the next couple weeks, so I'll think about that until I've basically written the whole thing in my head. Then I'll think about how it would be cool to learn guitar and play out that scenario until I end up imaging myself busking on my trusty six-string in the streets of a big city and earning some fun money.

The mind of an insomniac, I am telling you. Also the mind of a person who must be very, very careful not to base life decisions on one evening of Awesomest Possible Outcome. It can take the Real Life ground out from under you pretty fast. That's not a super fun experience, but hopefully I've learned.

Anyway, how does it work for you? Do you think about past events, reminisce? Are you one of those horribly wonderful people who spend time thinking about other people and how they're feeling? Do you make lists? Do you dwell and mentally pick at scabs? I want to know. I want to know what its like to be in someone else's head.

A penny for your thoughts.

Sarah Allen

Film Friday: Dr. Horrible's Sing-a-long Blog

It's a little bit hard to talk about Dr. Horrible's Sing-a-long Blog, mostly because there is nothing else even remotely like it. I don't know how familiar y'all are with this, but it's basically a short little 45 minute movie-lette that Joss Whedon put together on basically no budget during the Hollywood writers strike, which is basically already enough for it and Joss Whedon to be considered Totally Awesome in my book. But that's not even taking into account the fact that what they put together is unique, intelligent, and insanely amazing.

There is basically one thing I want to say about Dr. Horrible's Sing-a-long Blog. Yes its a bit of a musical. Yes it's ridiculous, yes its hilarious. Yes Nathan Fillion and Neil Patrick Harris are two of the awesomest people ever. What this mini-movie does so well, though, is use the music, the comedy, the ridiculousness, to get at something much, much deeper.

My creative writing teacher in high-school once said that when you really want to get at the core of something, really describe it, it's kind of like looking at a star. If you try and look at it directly, it gets kind of fuzzy and unfocused. It becomes much more focused and clear if you look slightly off to one side and look at it in your peripheral vision. This is what Dr. Horrible does so brilliantly. The ridiculous humor pulls our vision slightly to one side, and what we really see underneath is one of the best portrayals of the quirky desperately lonely underdog I have ever seen. Thanks to both the writing and to the general awesomeness of Neil Patrick Harris. All the proof you need is in the very last frame.

And lucky for us, it's all on YouTube! Take a moment this weekend and bless your life, if you haven't already. You won't regret it.

Sarah Allen

Pantsing and Word Count

So I'm trying something new with my current novel. For Keeper, I had a basic outline for each chapter and I knew about how many words needed to be in each chapter to add up to the 70,000-120,000 word count range that is generally considered best for the average novel. Basically, I had the word count thing outlined so I knew it would work out.

With New Novel, I'm taking more of a pantser approach. I have the basic storyline, but I'm having a really good time just kind of letting the story take its own course. Like I've said, I've got the basic storyline and a time-frame within the story so hopefully it will still end up with fairly sound structure. And of course, any plot holes can be fixed in the editing phase.

My main worry is that I'm going to end up below or above the market word-count range. This one is YA, so it would be more like 50,000-70,000, but since I'm doing it more organically and just writing my way forward, I don't want to end up with 30,000 or 150,000 words. I definitely err on the short side, and I suppose with edits you can add scenes and fill in things to build up word count if you need it, but I don't want to have to add things just for the sake of word-count.

So here's my question: those of you who typically pants your way through novels, how do you work out the whole word-count thing? How do you make sure you're going to have enough for a whole novel, and hit within the target range?

I know that the important thing is to just write the stories you want to write and worry about this stuff when you need to. But still, I stress about things like this, and any advice or tips would be helpful.

Bequeath your wisdom, oh wise readers :)

Sarah Allen

Lessons Disneyland Taught Me

So I'm finally back. It has been a crazy, fun, busy month. We had relatives over for the 4th and it has been madness ever since. Going to Disneyland with the fam was a very needed break. Here is what I learned:

Nostalgia is very powerful. Much of the joy my family and I experience at Disneyland has to do with nostalgia. Mickey Mouse shooting off and directing fireworks at the end of Fantasmic means so much to us because it has meant so much to us for years and its something that has been a form of bonding for us many, many times. My favorite rides are the simple ones, Pirates of the Caribbean and Haunted Mansion, rather than the more thrilling Screamin or the flashy new Radiator Springs because the classic rides and stories have been with me since I can remember. What I think this means is that people may be entertained by flash and thrill, but what they will care about and what will stay with them are stories and characters that mean something to them. And what means something to people often has to do with their experiences growing up.

Go with the flow. Because there are ten of us, if you are super stubborn, whiny, or opinionated, you are going to be miserable, because you're not always going to get what you want. We do our best to hit on the things everyone cares about, like Tower of Terror and Fantasmic, but moment to moment, its best to just go with the flow. I was reading Cat's Cradle by Kurt Vonnegut while waiting in lines (nerd moment) and one of my favorite quotes says, "Peculiar travel suggestions are dancing lessons from God." I would amend that to say, "Peculiar travel suggestions are story ideas from God." Or the universe, or both. I don't know. But its worth it to say yes, be happy, and see what happens.

This includes the 3 times the car engine overheats while driving through Nevada desert, the car rental that wouldn't rent to us because my dads license had a misprint saying that it expired three months after it was issued, the 3 or 4 times Dad has to call the bank because they've somehow messed up something on the credit card, accidentally leaving the debit card at The Bear Paw restaurant, the flash flood that reached above our car tires in St. George, and the stomach cramps that may or may not have come from the shrimp gumbo I ate at Farmers Market in LA. Life is a wonderful, happy, fun adventure, and I'm learning that looking at it that way and just going with the flow is so much less stressful than any alternative. Write what you want to write, use the popular marketing tools, follow the stories and trends that interest you. Because other than overheating cars and lost debit cards, it might also mean eating ice-cream next to Alan Tudyk outside Ghiradeli Square in California Adventure. It happened, I promise.

Detail, detail, detail. If real estate is location, location, location, writing is detail, detail, detail. They don't miss one thing at Disneyland. There is never any trash, the ginormous crowds are well directed, and even the garbage cans match their respective areas. Its a hard standard to live up to, and I'm not trying to say that every other paragraph in our novel needs to be a setting description paragraph. But what I am saying is that if we take as much care and precision in our words as Disney does in their parks, it can make the difference between being a professional and an amateur.

I could say more, but I've gone too long already. I know not everybody has the same experience and love for Disneyland that I do, but no one can deny that they're successful. Might be smart to take a few leaves from their very large book.

Sarah Allen

Sufficient is the Day

So internet connections are much less reliable on vacations, apparently, and I'm sorry for the slacking. But I've greatly enjoyed your feedback, and hopefully the pictures gave you some ideas.

Instead of going on with the pictures or doing a film Friday today I wanted to wax a teensy bit religious, if that's alright. I mean, I think its a helpful thought generally, religious or not. At least it is for me.

Basically I just wanted to share a scripture that my sister and I were talking about. No, we don't usually talk about scriptures on our way to the scummy beach bathroom. That makes us sound really Amanda Bynes from Easy A. But it came up in correlation with what we were talking about. Maybe it's because she is going on a mission in two weeks (AH!!!) and she's basically a scripture reading fiend. Anyway.

Matthew 6:34: Take therefore no thought for the morrow; for the morrow shall take thought for the things of itself.

Ok. So here's why I thought these words were so comforting. I don't think this is supporting the eat, drink and do whatever the blank you want philosophy. We still need to be productive, proactive and responsible. I do, however, think that it's saying that all the stress we feel about what tomorrow is going to bring and about meeting all these goals and expectations that we have for ourselves is totally ridiculous and unnecessary.

I think the jist of it is that if we are doing what we know we are supposed to be doing today, tomorrow will be okay. I'll even say that I believe God will take care of us. Life gets so absolutely crazy. I've read stories on some of your blogs about the crazy, extremely difficult things going on in some of your lives, and I know my life has been more unstable and insecure these past few months then it ever has, to the point that I've had to consciously stop getting too personal on this blog just to stop myself from whining. My point, though, is that if we just take care of today and do what we know we're supposed to, then life keeps going on the right track and tomorrow will be taken care of.

From a writers perspective: there are so many things that are unknown about the future. Contests, getting an agent, getting an editor, the ending of our current project, responses from the lit mags we submitted to. All that is insecure and unknown and, frankly, terrifying, but I'm learning that worrying and stressing about it doesn't do any good at all, and in fact only keeps you from doing stuff that's actually worthwhile. Take care of today. Write. Write some more. Read, study, practice. Perfect your query letter. Submit to agents or editors or literary magazines or contests. Do all that on a daily basis and there is no chance you will not have success. Tomorrow will take care of itself, and might be way awesomer than you even imagine it. Just as long as you take care of today.

Now if I can just ingrain this in my head enough to stop being scared...

Sarah Allen

Wordless Week: Day 2

Here are three more pics. Leave your 100 word story in the comments or your blog.

And go!

Sarah Allen

Wordless Week: Day 1

Hey guys! So I'm on vacay this week, so I'm in the mood to keep things fun and easy around here. For this week I'm going to post 3 pictures every day. You can either pick one picture and use that as a prompt or combine all three. Then take those ideas and put them into a 100 word flash fiction piece that you either leave in the comments or post on your blog and leave a link. Then on Saturday I'll take my favorite ones and post them up with a link to the authors blog. Sound fun? Cool. Here are the first three pictures:

And...write!

Sarah Allen

Film Friday: Book Trailers

So I think eventually book trailers, once I've done a little more research and had a little more experience, deserve a very in-depth post of their own, but since I'm in a bit of a rush today I thought I'd just leave you with three of my favorites. Three very different styles, everything from very high-end studio produced to very do-it-yourself, but all super fun and effective as marketing tools:

Have a wonderful weekend! And if you have any particular favorite book trailers, link to them in the comments. I'd love to see them!

Sarah Allen

Make Me A Doorway Short film/Videopoem

Hey all! So this is not my film Friday post, but I was approached by Jesse Brooks to see if I would help spread the word and give a few thoughts on their short film "Make Me a Doorway." I checked it out, and since it was a fabulous piece of work, I told her absolutely I'd share it:

It was beautiful work, and I loved the match-up of the cinematography and the narration. I thought it worked really well. And I loved the subject matter and the range of the piece as well. I think short, regular poetry may not work quite as well in video form, so having it sort of longer and more of a prose poem kind of carried you along like a story word. My only problem was that I sometimes couldn't understand the narrator, but she also added character to the piece, so it still definitely worked.

Anyway, check it out. Thanks Jesse for the great work!

Sarah Allen

Why Writers Should Always Be Waiting

I am one of the most impatient people in the entire world. Like, for reals. About an hour after I submitted to my first agent a week ago I texted my friend that I was anxious that he hadn't written back.

Writers always are, and should be, waiting on someone, and I'm trying to see it as a good thing.

Agents. Waiting on an agent means you've accomplished something wonderful. You've finished a huge project and polished it until you can see your reflection in it. Good work.

Critique partners. Waiting on critique partners means you're working. It also means you are brave enough to put your words (your soul) in front of people. Good work.

Competitions. Waiting to hear back about writing contests means you were brave enough to submit, and serious enough to cough up the cash for the entrance fee. Good work.

Publishers and literary magazines. If you are waiting on publishers and literary magazines, you taking some pretty serious, major steps. You are showing the world you mean business. You've worked hard, and you're ready to put that work in front of people. Good work.

Really the hard part about this is knowing what to do while you wait, and the only answer I can come up with to that is to keep writing, keep studying, reading and improving, and keep submitting. We just can't slow down, and eventually something good will come of it all our bleep bleep waiting.

Sarah Allen

My Inner-Sadist's name is Dave

There was a boy in my high-school class. My entire graduating class totaled a grand 21, so we all knew each other pretty well. I will just say that this boy got himself the nick-name Eeyore and leave it at that. One day in English we got into a fight about pessimism versus realism that went something like this:

ME: You're such a pessimist.
BOY: Realist.
ME: Pessimist.
BOY: Realist.
ME: Pessimist.
BOY: Realist.

You get the idea. We had similar arguments involving words like naive and optimist.

I like happy things. I like puppies and rainbows and libraries. I hold on to every glimmer of hope I can find, meaning I do my best to consider The Road a happy, hopeful book.

So realizing that the ending of my book was going to be more intense and ambiguous than I originally thought it out to be was strange enough. What was even more strange, though, was how thoroughly I enjoyed writing it.

Maybe it's my tendency to see a lot of hope where there is barely any, but writing my sad(ish) ending rejuvenated rather than depressed me. And getting feedback from my English major friends that basically added up to "I totally loved it, jerk-face" made me nearly giddy with glee. It also made me want to evil laugh like Vincent Price.

Now I am left trying to reconcile this happy, optimistic, humorous real-life side of me with this somber, harsh, somewhat sadistic authorial part of me. And now that its come to my attention, I'm realizing how far back it goes. All the way to high-school, in fact, where my subject matter consisted of a lot of single moms and old men whose wives had left them. When I'm talking with my friends its generally about happy stuff like the Lizzie Bennett Diaries and Chris Evans' butt and I don't know why such a major shift happens when I sit down to write fiction.

So, basically, I've been reading a lot of Dave Barry and Steve Martin to try and see how funny people do it on the printed page. It may not be natural for me, but I want to experiment with and try out some happy, funny stories. Maybe they'll be total crap, but the point is to stretch muscles anyway, right?

Do you have a disparity like this between your real-life and writer selves? If you write funny, how do you do it?


Sarah Allen

Play to your freak side

There are seven billion people in this world who do not share your experience. Nobody else has your perspective and specific knowledge.

C. S. Lewis said "We read to know we're not alone." This is why we write. Maybe it seems incongruous to say that our writing becomes better and more relatable when we write from our own specific and unique experiences, but its true. Readers relate to us and our characters as individuals, not as general abstracts. 

There are 14 million Mormons in this world. That maybe seems like a lot, until you realize that that is only .002 percent of the population.

One in 2500 girls is born with Turners Syndrome, which makes one in every 5000 people. That is a .0002 percent chance. That means the chance of being born both with Turners Syndrome and being a Mormon is .0000004%. Correct me if my math is wrong (I was in English major, remember) but I'm pretty sure that adds up to about 2800 people in the entire world.

Maybe you have a mentally handicapped brother. Maybe you went to juvy for shoplifting when you were fifteen. Maybe your father was a National Geographic photographer. Think of what makes you absolutely unique, and there is something. Everyone has something.

Ok. So that's one thing I mean when I say play yo your freak side. I would love to write stories about Mormons and girls with Turner Syndrome. But I am of course not going to restrict myself to that either.There are other things about our experience that are still interesting if not as unique as other things. Maybe you're the youngest child. Maybe you're grandpa ran a farm. Maybe you moved as a child. These things still play into our experience, and a lot of people relate to these kinds of things because they've experienced it themselves. 

This is my point: maybe these types of experiences aren't especially unique in and of themselves, but the way we experienced these things absolutely is. Maybe there are a lot of oldest children, but nobody was an oldest child like you were an oldest child. Or maybe lots of people visited their grandparents farms in the summers, but not a lot of people visited your grandparents farm. This is why specific and concrete details are so important. Show us the height of the cornfield and give us the smell of the slaughterhouse. We want to feel this place and experience it with you. 

I'm not saying everything you write has to be directly autobiographical, because obviously you are going to write things happening to characters that never happened to you, and characters themselves that may be as opposite to you as it is possible to be. However, I think in a lot of ways the details that really bring our stories to life and the subtle themes that we discover as our stories grow are almost entirely autobiographical.  At least that's how it is for me. My main characters end up being my main characters because they have something important to say. When I describe a room it is often based on a room from a house I lived in as a child, even if I'm not consciously trying to base it off of that house. 

Basically, we are trying to draw our readers in and we do that through making our details as concrete and as specific as possible, and the easiest way to do that is to use details we know first-hand. Not big things, just little things like smells and textures. 

And the way we make a name for ourselves is not by writing the same kinds of stories everyone else is writing, but by writing the stories that nobody else is writing. There is no one in the world like you. Use that to your advantage.

What puts you in the .002 percent? Do you find yourself drawing on your own experience for details and themes?

Sarah Allen

Film Friday: Brave and The Amazing Spider-Man

There is a specific reason I want to do these two movies together today. And not just because they're the hot items in theaters right now. 

I will start off by saying that neither of these was an ohmygoshfavoritethingever movie for me, which a lot of the movies I talk about will be. Both of them had flaws, and both had moments of awesomeness. But what was interesting with these two is that neither of them equaled my expectations.

Going in to any Pixar movie, I think most people expect the usual level of absolute genius. For me, this time, it wasn't quite there. Don't get me wrong, I still really liked it, and with Pixar you know absolutely that its never going to be a bad movie. But you could just tell that it was a different group of people or something than the ones who did Up and Toy Story and Monsters, Inc. It just had a different feel, and wasn't quite as focused. I wish I could put my finger more one exactly what it was that made it feel slightly off (the pacing? the character development?) but basically it just felt different than the normal Pixar. Still, there were some awesome moments, like the men climbing down their kilts, Emma Thompson in anything ever and for always and lets not forget ohmyfreak that hair.

Now, Spider Man. I've said before, I'm not a huge superhero movie girl. I know many people think its dull, but I would so much rather watch two people talk than beat each other up. I'm not into the supernatural powers thing, because often it just takes it out of the realm of relatability for me. And I really did not like the Toby Maguire Spider-Man movies, although that mostly had to do with Toby Maguire. I live for moments of subtle characterization and that just doesn't happen in most action movies.

Ok, with all that said, my expectations were just so-so for The Amazing Spider-Man, but I came out thinking, 'Wow, that was so good!' I felt like the different phases of development that they had Peter Parker go through, starting out hunting his uncles killer, then make a mask, then make a suit, then save someone and realize what he really wants to do, so on and so on, was really well-done, and very natural, as far as turning into a superhuman with spider abilities can be natural. And when I do like supernatural type movies, its all because of that natural human element. That element means awesome actors, and I think that's what I liked most about the movie. The acting was so, so good! The actors themselves took it to that subtle level, simple things like shaking his head when he says "Let's get out of here," or his shy adorable smile, or also Emma Stone in anything ever (maybe I should name my first daughter Emma?) and even the secondary cast did a great job. Gotta love Sally Fields. Although I will say, the one thing I didn't like, and this is not so much the movie but a super-hero convention, was the supernatural villain. I guess I can take it more when its just a cute high-school kid who gets picked on and has a crush on a cute girl and is trying to figure it all out himself, and we just don't get that level of in depth characterization with the Doc, but at some points I just can't help myself from thinking that its really stupid that they're chasing a giant lizard.

Overall, though, super good. And I totally got giddy at the end when he says, "But those are the best kind." If you've seen it you know what I'm talking about, and if you haven't, then see it and you'll see.

Now it's your turn. Who has seen either of these movies, and what did you think?


Sarah Allen

Guest Post: Why I Chose to Self-Publish, Jonathan Poku

I’ve always believed that I shouldn’t expect others to invest in me if I am not willing to invest in myself and that it would be great to own my own business. This is why self-publishing is so appealing to me. As an independent writer life is never dull because I need to be a jack of all trades. Unlike my signed counterparts all of my energy cannot be focused on just writing because I have to do all the jobs a publisher usually gets a team to handle i.e. commissioning art work, editing, signing off artwork and marketing.

As an independent author I am extremely grateful for the rise of the e-Book and companies like Amazon and smashwords because they have made publishing and distribution easier.  However, I am still aware that although it is easier to publish and distribute my books online marketing and promotion is still the backbone to the success of any product and marketing and promotion takes a lot of time and effort.

As a writer it is important for me to hone my craft through practice and observation. However it is also important for me to master social media and marketing because my success as a writer is intertwined with my ability to find my target audience, communicate the existence of my books to them and to engage with them.

Marketing  an e-Book can consist of blogging, leasing with bloggers, organising reviews and giveaways, partaking in kindle select, engaging with potential audiences on different social networks like Goodreads, Facebook, authors Den; creating trailers and art work, analysing the success of your marketing endeavours and learning from them.

Every day I try to allocate time to writing and marketing because I believe that if you take one step towards your dreams everyday sooner or later you will reach your destination.

I have recently published my debut fictional book called Borlosanti and I am offering all of the readers of this blog a free copy of my book for a limited period of time only. If you would like a free copy please email me at jonathanpoku@yahoo.co.uk with the subject free giveaway. Please remember to inform me what format you would like the e-book in.
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Thanks Jonathan for stopping by! Make sure to get your free copy of Borsolaniti!

Fourth of July characters

Happy 4th everyone! Hope you get to see family, eat barbeque, and set off fireworks in predetermined safe legal places so we can have fun and not burn down more of the country.

Anyway, just thought I'd leave you with some characters inspired by today:

We have the right to write whatever we want, which cannot be said of everywhere in the world. Thank God for our beautiful country. Have a safe, fun, wonderful holiday!

Sarah Allen

Death, East London, and Homicidal Cowboy Brothers

Want to know the formula for prize-winning literature?

Ok, so maybe there's no formula, but if your novel involves death, East London or homicidal cowboy brothers, you might be on the right track.

Delayed Gratification Quarterly broke down the 2011 Booker Longlist into themes and motifs. These include everything from suicide and war to jazz and "nanny trust issues."

Click here for larger view

The major finding, though, is that every single novel somehow involved death. I don't know what that means exactly, whether its a direct death in the book, dealing with an earlier death, the death of a pet. But somehow, they all involve death.

Gives a whole new perspective to "killing your darlings."

So what this means, is that my next novel is going to be about homicidal cowboy brothers who live in east London and listen to jazz and fall in love with each other and then want to kill each other. That's gotta win me the Booker.

Sarah Allen

So I wrote this thing and now what?

If you write every day, that's a lot of words. Maybe most of it is geared towards a bigger novel project, but what about all those other, smaller projects like poems and short stories and flash fiction and maybe just a creative essay of your thoughts? What do you do with those?

It's been on my mind, because I want to write lots and lots and experiment with all types of genre and form and subject. I've come up with five main routes to go with the pieces that turn out well enough to publish:

1. Literary magazines. This is for your top-notch work. There are magazines for every type of project imaginable, so if your proud of your work, don't be afraid to submit. The best places I know of to find magazines are Duotrope and NewPages.

2. Competitions. Maybe I'm wrong, but it seems like competitions give you the chance to submit to places you wouldn't be able to submit to otherwise. It also comes with a money prize, prestige and potential connections. For writing contests check out Poets and Writers and FreelanceWriting.

3. Self-Publish. There is so much being said about this option, whether its a good or bad one, how one goes about doing it in the first place. My point here is just to say, it's an option. Definitely do your research if you decide to go this route. That goes for every option, but this one in particular. If you have a poetry collection, short story anthology or novella that you just want to get out there, this might be a good way to go.

4. Small Press. This is one I haven't seriously considered until recently, and so my research on it is less extensive than the others. However, while you're querying agents and trying to go the traditional big publishing route, this might be a good choice for the collection of short stories you've been wondering what to do with. There are quite a few small presses that accept unagented submissions, and it might just turn out to be a wonderful experience. You never know until you try.

5. Blog. I've seen several people post short stories and even entire novels via blogs. Honestly this isn't my favorite option, but I can see some uses. If you have a short little something you came up with, incomplete but promising, putting it up on a blog might be a fun way to get some feedback. Maybe the piece doesn't go anywhere or turn into anything, but you can apply the comments you receive to your writing in general, hopefully improving it as you go.

So yeah, while I'm trying for the slow traditional big-publishing route, which I really want, these are other good options to keep in mind for my other projects. Throughout my writing career I would love to use every single one.

Which options are your favorite, and can you think of any I missed? How do you decide which option is best for any given piece?


Sarah Allen